An important part of archaeology is the preservation of contemporary heritage for future generations, which is exactly what we hope to do in Stokes Croft. We will conduct heritage building surveys of the graffiti murals in and around central Bristol which are representative of and integral to both the anarchistic history of Bristol in the 1980’s and the continued resistances that we see throughout the city!
The underground scene in Bristol and the South West in the last 40-50 years is one that is entwined with the art and music scene. Much of the original underground music scene in Bristol holds its roots in Caribbean influence; recent years have rightly reminded us of the origins of the city of Bristol, and the movement of black Caribbean peoples. This combined with the punk movement in Bristol gave way to an original music scene, in turn giving way to hip-hop culture in the 1980’s. With this, came a rise in graffiti art around the city, with renowned artists like Robert Del Naja (AKA 3D) and Banksy working in and on the city.
The underground scene, by definition is removed from the mainstream, and music and art produced is often associated with political statement and rebellion. An important element of the SWARP project is going to investigate the heritage of Stokes Croft and it’s graffiti in particular – there is often a narrative of illegality surrounding graffiti, and the word ‘vandalism’ is thrown around frequently. SWARP is going to research and survey the buildings throughout Stokes Croft and the wider areas to document and hopefully contribute to the preservation of this important heritage feature in Bristol.